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Odmiany mieszańcowe nachyłka osiągają wysokość od 30-65 cm, tworząc kępy szerokości ok. 35 cm. Obficie kwitną od czerwca do września. Wtedy to na bezlistnych pędach pojawiają się bardzo atrakcyjne kwiaty. Kolorystyka kwiatów jest bardzo zróżnicowana, w zależności od odmiany są to kwiaty dwubarwne z oczkiem o wyrazistych kolorach (np. biało- czerwone, żółto-czerwone) lub jednobarwne (np. białe, żółte, łososiowe, karminowe, czerwone, bordowe). Długość kwitnienia można przedłużać poprzez systematyczne usuwanie przekwitniętych kwiatów. Piękny nachyłek przyciągający wzrok, który powinien się znaleźć na każdej bylinowej rabacie. Dodatkowo ze względu na niski, kompaktowy wzrost nadaje się do wysadzania w pojemnikach. Nie znosi nadmiaru wilgoci i zacienionych stanowisk. Dobrze rośnie tylko w pełnym słońcu, na umiarkowanie wilgotnym, piaszczysto - gliniastym podłożu. Na zimę wymaga okrycia.

The Coreopsis 'Honeybunch Red & Gold'  is a robust flowering perennial that will delight you all summer long with its flamboyant red and yellow suns. With its fine dark green foliage, it is undemanding and hardy, and will brighten up your sunny rockeries in any light and well-drained soil. It only requires a bit of deadheading to stay in top shape and also performs excellently in pots.

The 'Red & Gold' coreopsis belongs to the large family of Asteraceae and is part of a genus widely used in gardens: it includes both large species (Coreopsis grandiflora) and small rock plants. These species are mainly native to bright clearings and meadows in North America, where they thrive on relatively poor but well-drained soils. They all produce lovely "sunflower-like" flowers, mostly in golden yellow tones, but more recently also in pale yellow, pink and red. The small species with narrow leaves have given rise to many hybrids that are not always very reliable: they fade after a few years or are sensitive to cold.
The 'Red & Gold' coreopsis is part of the 'Honeybunch' hybrid series, distinguished by its neat and regular dome-shaped habit. From June to October, it produces a mass of yellow flowers with a red base on a dense and compact shrub that does not exceed 25 cm (10in) in height and 40 cm (16in) in diameter. It spreads slowly through short rhizomes just below the soil surface.
Resistant and hardy, 'Red & Gold' will thrive in full sun in any slightly acidic to slightly alkaline soil, and it requires good drainage  to develop properly: in heavy and waterlogged winter soil, its longevity will be greatly reduced. It tolerates summer drought once established. To achieve long and regular flowering, remember to remove faded flowers from time to time: this will stimulate the production of new flower buds, even in autumn if the weather permits. In overly rich soil, the plant may also become a bit floppy: trim the shrub in July to encourage branching and the formation of new flowers closer to the ground. Due to its compact size and undemanding nature, 'Red & Gold' coreopsis is also an excellent variety for container gardening.
You can plant it in rockeries, alongside small perennials that appreciate similar conditions such as Bertram Anderson lemon thyme, Caucasian rock cress Bakkely, mountain alyssum, or graceful grasses like Amethyst fescue.
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Coreopsis Honeybunch Red & Gold PP28571 (red/yellow)

The cathedral Notre-Dame de Paris  is one of the most enduring symbols of the French capital city. Hugo conceived of The Hunchback of Notre Dame as a story of the cathedral itself and devoted two chapters of the novel to describing it. He focused primarily on the Gothic architectural elements of the structure, including its flying buttresses, clerestory windows, and stained glass. Hugo identified Gothic architecture as the bearer of the cultural heritage of France and argued that, as such, it should be protected. At the time that the novel was written (between 1828 and 1831), Paris was verging on major changes that cumulatively threatened to destroy much of its cultural heritage. The French Revolution had resulted in the desacralization, decay, and consequent destruction of many Gothic cathedrals and churches. In the July Revolution of 1830, the French people expressed a desire to liberate themselves from the past. This uprising was driven by a condemnation of the forms and institutions associated with the traditional monarchical regime, and its leaders sought a new way forward.

In The Hunchback of Notre Dame, Hugo recreates the vibrant, intense atmosphere of 15th-century life to remind his readers of the splendor and significance of Paris’s Gothic past. The book doubles as a plea for the preservation of the city’s historic Gothic architecture (and thus its heritage). His plea was met with great success. The first printing, by publisher Charles Gosselin, was distributed in four issues of 275 copies each, and the novel was instantly, incredibly popular. Many thousands of printings followed. The Hunchback of Notre Dame circulated widely, inspiring illustrations by lithographers, painters, book illustrators, and even cartoonists. Images from the novel (especially images of the cathedral) became known to individuals at all levels of society. Notre-Dame de Paris became a French national icon, and the proliferation of images of the cathedral helped revive the use and prestige of Gothic forms. An extensive program of renovation, overseen by French restoration specialist Eugène-Emmanuel Viollet-le-Duc, was undertaken in the mid-1840s, and in the latter half of the 19th century Gothic monuments began to regain their religious significance.

The Hunchback of Notre Dame has been adapted several times for the stage and screen. One of the most notable film versions was directed by William Dieterle; it was released in 1939 and starred Charles Laughton and Maureen O’Hara, though its happy ending diverged significantly from Hugo’s novel. Other screen adaptations include a 1923 silent film featuring Lon Chaney and a 1956 version starring Anthony Quinn and Gina Lollobrigida.

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