English: Landscape in the Style of Ni Zan and Huang Gongwang by Wang Yuanqi, 1662-1715, ink and color on paper, Asian Art Museum of San Francisco.

Landscape in the Style of Ni Zan and Huang Gongwang by Wang Yuanqi, 1662-1715, ink and color on paper, Asian Art Museum of San Francisco

Size of this preview: 800 × 370 pixels. Other resolutions: 320 × 148 pixels | 640 × 296 pixels | 1,024 × 474 pixels | 1,280 × 592 pixels | 3,891 × 1,801 pixels.
Original file (3,891 × 1,801 pixels, file size: 1.67 MB, MIME type: image/jpeg)

No higher resolution available.
DwellingInTheFuchun.jpg (333 × 191 pixels, file size: 24 KB, MIME type: image/jpeg)

Size of this preview: 398 × 599 pixels. Other resolutions: 159 × 240 pixels | 319 × 480 pixels | 510 × 768 pixels | 680 × 1,024 pixels | 1,361 × 2,048 pixels | 3,264 × 4,912 pixels.
Original file (3,264 × 4,912 pixels, file size: 6.84 MB, MIME type: image/jpeg)

Huang Gongwang (born 1269, Changshu, Jiangsu province, China—died 1354) was the oldest of the group of Chinese painters later known as the Four Masters of the Yuan dynasty (1206–1368). He was often cited meritoriously by later painters and critics for his rectitude (even though he briefly served in a junior capacity in the Mongol administration) and for his intense association with nature.

Huang spent most of his later years in retirement in the Fuchun Mountains, which he recorded in a long hand scroll produced over a three-year period (1347–50). He is known also for his accomplishments in literary arts and thus is listed among the paragons of the “literati painting” (wenrenhua) ideal. His style of and attitude toward landscape painting stand at a pivotal midpoint between such ancient masters as Dong Yuan and Juran in the Five Dynasties period and Shen Zhou, Dong Qichang, the Four Wangs, and others of the Ming and Qing dynasties.

No higher resolution available.
DwellingInTheFuchun.jpg (333 × 191 pixels, file size: 24 KB, MIME type: image/jpeg)