Shortly after federal authorities took down a national college admissions scam in March, officials at USC launched their own investigation with emails to dozens of students.
They did not mince words: The school wanted to know whether the 33 students had lied on their applications to USC. Some of the students understood what was happening because their parents had been charged in the federal case. Others were in the dark.
The reason for the emails would soon become clear to them all. They had been linked to William “Rick” Singer, the confessed leader of the admissions con, and they now faced expulsion, depending on what university investigators discovered.
Username: Tumake_Chai Published on 2020-07-03 15:30:24 ID NUMBER: 2230
Kentucky, Kansas, UCLA, Michigan State: college basketball royalty all, but none of these storied programs has a rivalry to match the super-scintillating “diaper-dandy” drama of Duke Blue Devils versus North Carolina Tar Heels, baby! It’s impossible to even say their names without hearing the overexuberant voice of announcer Dick Vitale, who chalks up the magic of the rivalry to three Ps. Proximity: their two famous home courts (Cameron Indoor Stadium and the Dean Smith Center) are but a short drive from each other down Tobacco Road (Google Map it) in North Carolina. Power: this neighborhood tug-of-war became a national obsession because both teams are always so ridiculously good. Every Final Four from 1988 to 2001, except one, included Duke or UNC; in every NCAA tournament since 2004, except one, either the Blue Devils or the Tar Heels has been a number one or number two seed. Obscene, if you are not a Duke or UNC fan. The natural order of things, if you are. And it must be said, fans of these two teams and the Atlantic Coast Conference are basketball crazy, hence Passion.
Six entries deep and no women. Shameful. Here’s my sad attempt at making amends, the greatest tennis rivalry and no guys in sight. No Borg-McEnroe or Federer-Nadal, just the sublime poetry in motion of Chris Evert and Martina Navratilova facing each other again and again across nets at Wimbledon, Paris, and Forest Hills. From 1973 to 1988 they played each other 80 times (advantage Navratilova, 43–37) as they lifted the women’s game to prominence on their skillful shoulders. Early on, Evert had Navratilova’s number, but with time the balance shifted. By the end, they had met in 14 Grand Slam finals, with Navratilova winning 10. Navratilova had a temper. Evert (”the Ice Princess”) was imperturbable. Evert thrived on clay. Navratilova flourished on grass. Navratilova was the master of serve and volley. Evert ruled the baseline. They were the perfect pairing of opposites.
You might say that Arnold Palmer and Jack Nicklaus are BRFs, “best rivals forever.” Throughout the 1960s they dominated men’s professional golf and in the process built a deep lasting friendship. A decade or so older than Nicklaus, Palmer burst on the scene in the 1950s, and by the end of the decade he was the game’s best player—but only until Nicklaus came along. In the early 1960s the pair engaged in a series of hard-fought battles in major championships (most notably their dramatic duels at the 1960 and 1962 U.S. Opens), but by the mid-1960s Palmer’s game was beginning to fade, while the “Golden Bear” just got better and better. In the end Nicklaus would be revered by many as the greatest player in golf history (easy Tiger Woods’s fans, I said by “many”). Palmer had to settle for being the game’s most popular player (adored by “Arnie’s Army”) and having a drink named after him.
Most Canadians of a certain age can tell you where they were on the day in 1972 when they heard the call that Paul Henderson had scored the goal that gave the Canadian national hockey team a victory over the Soviet Union in the landmark Summit Series. The rivalry born of that series continues to be played out on the rinks at the Olympics, world championships, and junior championships (albeit with jerseys that say Russia, not CCCP or USSR), but it dates from this pivotal moment when the best players (save Bobbies Hull and Orr, who couldn’t play) from the world’s two foremost hockey-playing countries met for the first time. Never before had Canadian professional players from the National Hockey League taken the ice against the powerful Soviet team that was amateur in name only. Team Canada thought they would easily roll over the Soviets, but the Red Machine took a 3–1–1 lead in the series, and only by winning the final three games in Moscow were the Canadians able to triumph (4–3–1). Oh, Canada!
I was going to end with the greatest football (soccer) rivalry, but I’m at a loss. Real Madrid–FC Barcelona? Celtic-Rangers? AC Milan–Inter Milan? Boca Juniors–River Plate? Manchester United–Liverpool? Too many choices. Instead, I’ll go the rugby route: South Africa’s Springboks versus New Zealand’s All Blacks (a nickname derived from their uniforms, though several New Zealand players had to be declared “honorary whites” in order to be able to play in apartheid-era South Africa in 1970). With few exceptions, year in and year out, South Africa and New Zealand have dominated international rugby. Since their first official meeting in 1921, neither has fared well on the other’s home turf, but New Zealand became dangerous for the Springboks in other ways in 1981, when local outrage at South Africa’s apartheid policy led to widespread protests and street battles with police. South Africa was prohibited from competing in the first World Cup competitions in 1987 and 1991. In 1995 apartheid was history (at least on paper), and long-imprisoned Black activist Nelson Mandela was the president of South Africa when it returned to the World Cup and won it by beating New Zealand in the championship game (a story told in the movie Invictus).
This week the U.S. celebrates the holiday of Thanksgiving, which has been an official national holiday since President Abraham Lincoln, after a campaign by magazine editor Sarah Josepha Hale, declared it as such in 1863. In the modern consciousness, Thanksgiving is strongly associated with the near-mythological story of the Pilgrims at Plymouth (the English colonists) and their Wampanoag Indian neighbors, who shared a meal to celebrate the harvest in 1621. However, days of thanksgiving on a variety of occasions have been celebrated throughout American history. Among them have been days for giving thanks to the Creator for the ending of droughts and wars or in celebration of other events, such as the promulgation of the Constitution.
Huang Gongwang (born 1269, Changshu, Jiangsu province, China—died 1354) was the oldest of the group of Chinese painters later known as the Four Masters of the Yuan dynasty (1206–1368). He was often cited meritoriously by later painters and critics for his rectitude (even though he briefly served in a junior capacity in the Mongol administration) and for his intense association with nature.
Huang spent most of his later years in retirement in the Fuchun Mountains, which he recorded in a long hand scroll produced over a three-year period (1347–50). He is known also for his accomplishments in literary arts and thus is listed among the paragons of the “literati painting” (wenrenhua) ideal. His style of and attitude toward landscape painting stand at a pivotal midpoint between such ancient masters as Dong Yuan and Juran in the Five Dynasties period and Shen Zhou, Dong Qichang, the Four Wangs, and others of the Ming and Qing dynasties.
Rococo, style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century but was soon adopted throughout France and later in other countries, principally Germany and Austria. It is characterized by lightness, elegance, and an exuberant use of curving natural forms in ornamentation. The word Rococo is derived from the French word rocaille, which denoted the shell-covered rock work that was used to decorate artificial grottoes.
Excellent examples of French Rococo are the Salon de Monsieur le Prince (completed 1722) in the Petit Château at Chantilly, decorated by Jean Aubert, and the salons (begun 1732) of the Hôtel de Soubise, Paris, by Germain Boffrand. The Rococo style was also manifested in the decorative arts. Its asymmetrical forms and rocaille ornament were quickly adapted to silver and porcelain, and French furniture of the period also displayed curving forms, naturalistic shell and floral ornament, and a more elaborate, playful use of gilt-bronze and porcelain ornamentation.
Rococo painting in France began with the graceful, gently melancholic paintings of Antoine Watteau, culminated in the playful and sensuous nudes of François Boucher, and ended with the freely painted genre scenes of Jean-Honoré Fragonard. Rococo portraiture had its finest practitioners in Jean-Marc Nattier and Jean-Baptiste Perroneau. French Rococo painting in general was characterized by easygoing, lighthearted treatments of mythological and courtship themes, rich and delicate brushwork, a relatively light tonal key, and sensuous coloring. Rococo sculpture was notable for its intimate scale, its naturalism, and its varied surface effects.
Kentucky, Kansas, UCLA, Michigan State: college basketball royalty all, but none of these storied programs has a rivalry to match the super-scintillating “diaper-dandy” drama of Duke Blue Devils versus North Carolina Tar Heels, baby! It’s impossible to even say their names without hearing the overexuberant voice of announcer Dick Vitale, who chalks up the magic of the rivalry to three Ps. Proximity: their two famous home courts (Cameron Indoor Stadium and the Dean Smith Center) are but a short drive from each other down Tobacco Road (Google Map it) in North Carolina. Power: this neighborhood tug-of-war became a national obsession because both teams are always so ridiculously good. Every Final Four from 1988 to 2001, except one, included Duke or UNC; in every NCAA tournament since 2004, except one, either the Blue Devils or the Tar Heels has been a number one or number two seed. Obscene, if you are not a Duke or UNC fan. The natural order of things, if you are. And it must be said, fans of these two teams and the Atlantic Coast Conference are basketball crazy, hence Passion.
Six entries deep and no women. Shameful. Here’s my sad attempt at making amends, the greatest tennis rivalry and no guys in sight. No Borg-McEnroe or Federer-Nadal, just the sublime poetry in motion of Chris Evert and Martina Navratilova facing each other again and again across nets at Wimbledon, Paris, and Forest Hills. From 1973 to 1988 they played each other 80 times (advantage Navratilova, 43–37) as they lifted the women’s game to prominence on their skillful shoulders. Early on, Evert had Navratilova’s number, but with time the balance shifted. By the end, they had met in 14 Grand Slam finals, with Navratilova winning 10. Navratilova had a temper. Evert (”the Ice Princess”) was imperturbable. Evert thrived on clay. Navratilova flourished on grass. Navratilova was the master of serve and volley. Evert ruled the baseline. They were the perfect pairing of opposites.
You might say that Arnold Palmer and Jack Nicklaus are BRFs, “best rivals forever.” Throughout the 1960s they dominated men’s professional golf and in the process built a deep lasting friendship. A decade or so older than Nicklaus, Palmer burst on the scene in the 1950s, and by the end of the decade he was the game’s best player—but only until Nicklaus came along. In the early 1960s the pair engaged in a series of hard-fought battles in major championships (most notably their dramatic duels at the 1960 and 1962 U.S. Opens), but by the mid-1960s Palmer’s game was beginning to fade, while the “Golden Bear” just got better and better. In the end Nicklaus would be revered by many as the greatest player in golf history (easy Tiger Woods’s fans, I said by “many”). Palmer had to settle for being the game’s most popular player (adored by “Arnie’s Army”) and having a drink named after him.
Most Canadians of a certain age can tell you where they were on the day in 1972 when they heard the call that Paul Henderson had scored the goal that gave the Canadian national hockey team a victory over the Soviet Union in the landmark Summit Series. The rivalry born of that series continues to be played out on the rinks at the Olympics, world championships, and junior championships (albeit with jerseys that say Russia, not CCCP or USSR), but it dates from this pivotal moment when the best players (save Bobbies Hull and Orr, who couldn’t play) from the world’s two foremost hockey-playing countries met for the first time. Never before had Canadian professional players from the National Hockey League taken the ice against the powerful Soviet team that was amateur in name only. Team Canada thought they would easily roll over the Soviets, but the Red Machine took a 3–1–1 lead in the series, and only by winning the final three games in Moscow were the Canadians able to triumph (4–3–1). Oh, Canada!
I was going to end with the greatest football (soccer) rivalry, but I’m at a loss. Real Madrid–FC Barcelona? Celtic-Rangers? AC Milan–Inter Milan? Boca Juniors–River Plate? Manchester United–Liverpool? Too many choices. Instead, I’ll go the rugby route: South Africa’s Springboks versus New Zealand’s All Blacks (a nickname derived from their uniforms, though several New Zealand players had to be declared “honorary whites” in order to be able to play in apartheid-era South Africa in 1970). With few exceptions, year in and year out, South Africa and New Zealand have dominated international rugby. Since their first official meeting in 1921, neither has fared well on the other’s home turf, but New Zealand became dangerous for the Springboks in other ways in 1981, when local outrage at South Africa’s apartheid policy led to widespread protests and street battles with police. South Africa was prohibited from competing in the first World Cup competitions in 1987 and 1991. In 1995 apartheid was history (at least on paper), and long-imprisoned Black activist Nelson Mandela was the president of South Africa when it returned to the World Cup and won it by beating New Zealand in the championship game (a story told in the movie Invictus).
This week the U.S. celebrates the holiday of Thanksgiving, which has been an official national holiday since President Abraham Lincoln, after a campaign by magazine editor Sarah Josepha Hale, declared it as such in 1863. In the modern consciousness, Thanksgiving is strongly associated with the near-mythological story of the Pilgrims at Plymouth (the English colonists) and their Wampanoag Indian neighbors, who shared a meal to celebrate the harvest in 1621. However, days of thanksgiving on a variety of occasions have been celebrated throughout American history. Among them have been days for giving thanks to the Creator for the ending of droughts and wars or in celebration of other events, such as the promulgation of the Constitution.
Huang Gongwang (born 1269, Changshu, Jiangsu province, China—died 1354) was the oldest of the group of Chinese painters later known as the Four Masters of the Yuan dynasty (1206–1368). He was often cited meritoriously by later painters and critics for his rectitude (even though he briefly served in a junior capacity in the Mongol administration) and for his intense association with nature.
Huang spent most of his later years in retirement in the Fuchun Mountains, which he recorded in a long hand scroll produced over a three-year period (1347–50). He is known also for his accomplishments in literary arts and thus is listed among the paragons of the “literati painting” (wenrenhua) ideal. His style of and attitude toward landscape painting stand at a pivotal midpoint between such ancient masters as Dong Yuan and Juran in the Five Dynasties period and Shen Zhou, Dong Qichang, the Four Wangs, and others of the Ming and Qing dynasties.
Rococo, style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century but was soon adopted throughout France and later in other countries, principally Germany and Austria. It is characterized by lightness, elegance, and an exuberant use of curving natural forms in ornamentation. The word Rococo is derived from the French word rocaille, which denoted the shell-covered rock work that was used to decorate artificial grottoes.
Excellent examples of French Rococo are the Salon de Monsieur le Prince (completed 1722) in the Petit Château at Chantilly, decorated by Jean Aubert, and the salons (begun 1732) of the Hôtel de Soubise, Paris, by Germain Boffrand. The Rococo style was also manifested in the decorative arts. Its asymmetrical forms and rocaille ornament were quickly adapted to silver and porcelain, and French furniture of the period also displayed curving forms, naturalistic shell and floral ornament, and a more elaborate, playful use of gilt-bronze and porcelain ornamentation.
Rococo painting in France began with the graceful, gently melancholic paintings of Antoine Watteau, culminated in the playful and sensuous nudes of François Boucher, and ended with the freely painted genre scenes of Jean-Honoré Fragonard. Rococo portraiture had its finest practitioners in Jean-Marc Nattier and Jean-Baptiste Perroneau. French Rococo painting in general was characterized by easygoing, lighthearted treatments of mythological and courtship themes, rich and delicate brushwork, a relatively light tonal key, and sensuous coloring. Rococo sculpture was notable for its intimate scale, its naturalism, and its varied surface effects.
